2020
|
| Ulterior Motives for string trio, 2:00, 2020 |
| Untitled II for piano 4-hands, or pianist and pianist/dancer, 8:00, 2020 |
| Mutatis Mutandis for alto saxophone and vibraphone, 8:00, 2020 |
2019
|
| Untitled I for flute/bass flute, violin, percussion and piano, 10:00, 2019 |
| Overboard for horn, violin, cello and piano, 10:00, 2019 |
| 13 for 3 Through 5 for alto saxophone, glockenspiel, cymbals and triangle, 6:00, 2019 |
| Contents Under Pressure for oboe, clarinet, alto saxophone, bass clarinet, and bassoon, 6:00, 2019 |
| Orchids Grow Here fanfare for orchestra, 4:00, 2019 |
2018
|
| What’s It Worth to You? for flute, clarinet, alto saxophone, violin, cello, glockenspiel, and piano, 8:00, 2018 |
2017
|
| Orchids Grow Here for 5 saxophones, 5 trumpets, 4 horns, 4 trombones, timpani, mixed percussion, double bass and piano, 4:00, 2017 |
| Stay In Your Lane for flute, clarinet, alto saxophone, violin, cello, vibraphone, and piano, 11:00, 2017 |
| Hair Band for double bass and piano, 2017 |
2016
|
| Entwined for clarinet and saxophone, 10:00, 2016 |
| Bystander for cello solo, 8:00, 2016 |
2015
|
| Setting Century in three movements for orchestra, 15:00, 2003, rev. 2015 |
| Mirror Etudes for piano, 6:00 2015 |
2014
|
| R.I.P.T. for speaking saxophonist and speaking percussionist, 12:30, 2014 |
| Heroic Measures for clarinet, violin and piano, 9:00, 2014 |
2013
|
| Fission for wind band, 9:00 |
| 1000 Swimmers in the Canals for 2 electric guitars, keyboard, and live processing |
| I Feel Fine for classical guitar, 10:00 |
2012
|
| Mechanisms for flute ensemble, 8:00 |
| Big Fun for baritone saxophone and piano, 6:00 |
| Cascade for saxophone ensemble, 6:00 |
2011
|
| Echoi for French horn solo, 1:00 |
| Sound | Water for cello and soundfile |
2010
|
| The Road to Damascus for string quartet, 10:00 |
| You Shall Not Go Down for men’s chorus, 4:00 |
| Prothalamia: A Celebration of Marriage for All for men’s chorus and organ, 30:00 |
| The Wall Calls to Me for soundfile (mp3) and 8 channels, for visual art installation by Sally Johnson, 10:00 running continuously |
| Fantasia for Karen Alone for violin and soundfile |
2009
|
| Multiverses for marimba quartet, 8:00 |
| Urban Myths for youth orchestra in three movements: The Babysitter, Roswell, and The Hook, 12:00 |
2008
|
| Sursum Corda for a capella mixed choir, 4:00 |
| Incarnation for a capella women’s choir, 2:30 |
| The Pillow Book for mezzo soprano, alto saxophone, violin, cello and piano, 14:00 |
2007
|
| Bathtime for soundfile (stereo), 1:00 |
| Nine Churches for guitar quartet and chamber orchestra, 9:30 |
2006
|
| three small gestures for violin and guitar, 7:30 |
| Tapping the Furnace for percussion solo, 16:30 |
| Is this then a touch? for baritone and piano, 5:00 |
| Italian Dreams for soundfile (mp3), for video installation by Carrie Mae Weems, 8:00 |
2005
|
| centro for violin and piano, 7:30 |
| Monumenti for violin and cello, 8:00 |
| Lost in Translation for soprano saxophone/piano, 6:00 |
| Swell for organ, 6:00 |
| Seconds for soundfile (5.0 surround, stereo versions), 1:00 |
2004
|
| Needlepoint for guitar solo for Paul Bowman, 7:30 |
| Time Management for double bass solo for Robert Black, 12:00 |
| The Steinway Preludes for piano, 15:00 |
| Tonal Music for cell phone ensemble, 10:00 |
2003
|
| Taut for guitar quartet, 6:00 |
| Setting Century in three movements for orchestra, 15:00 |
2002
|
| Drift for saxophone quartet, 6:00 |
| Jerusalem Windows for violin, cello and piano, 10:00 |
2000
|
| Louise: the Story of a Magdalen, libretto by Sally M. Gall opera, chamber orchestra. 90:00 |
| Of the Father’s Love Begotten anthem for SATB choir and organ, 3:00 |
| Psalm 121 for a capella mixed choir, 4:30 |
1999
|
| Setting Century for flute, clarinet, violin, cello and piano, 15:00 |
| Pandora’s Box, lyrics by Dorothy Hindman, for elementary school choir and piano, 20:00 |
| With Sighs Too Deep for Words for cello and orchestra, 25:00 |
| Magic City for orchestra, 10:00 |
1998
|
| Trembling for solo flute for Donald E. Ashworth, Jr, 8:00 |
| Incarnation for a capella mixed choir, 2:30 |
| Resurrection for a capella mixed choir, 2:30 |
1997
|
| fin de cycle for piano and tape, 9:00 |
| Three Songs of Reminiscence for tenor and piano, 12:00 |
1996
|
| Echo for solo horn, 7:30 |
| I Have Heard… a capella arrangement of Mvt. II of Songs of Myself, 5:00 |
1995
|
| Song Cycle for soprano and four-hand piano, in conjunction with Charles Norman Mason, 30:00 |
| “drowningXnumbers” for amplified solo cello, 9:00 |
1994
|
| From Censer Smoke… for soprano, flute, violin, guitar and marimba, 6:00 |
| Songs of Myself for chorus and orchestra, 30:00 |
1993
|
| Chemistry for chamber orchestra, 10:30 |
| Beyond the Cloud of Unknowing for solo marimba, 9:00 |
1992
|
| Fury’s Chalice for wind octet, 9:00 |
| Slow Dance for clarinet, marimba and piano, 7:00 |
| Forward Looking Back solo piano suite, 15:00 |
1991
|
| Soliloquy for clarinet, 8:00 |
1989
|
| Songs of the First Year for mezzo-soprano, clarinet, viola, cello, celesta and piano, original texts, 15:00 |
1987
|
| Electronic score and effects for the Carbonell award-winning play PAPA, premiering Oct. 1987, Colony Theatre, Miami. Reworked for run in Key West, April 1990, Jan McArt’s Cabaret Theatre. |